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• Adobe Creative Suite CS2 page 1
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more than 2 pages
• Afternoon Delight page 1
  ... I came to the conclusion that bright colors and jumbles of flowers are the key elements…... more>>
more than 2 pages
• Back to the Future - John MacRae page 1
  Everyone remembers the day they moved to digital. We all know when it was, where we were and how we felt. For commercial photographer John MacRae to recall this momentous event, ho... more>>
more than 2 pages
• BC3 has some little brothers! page 1
  Mike reports on new computers... more>>
more than 2 pages
• Big Computers page 1
  We rarely discuss computers in Professional Imagemaker despite the vast majority of readers owning one. The failure of the workstation on which the magazine is made gave us the opp... more>>
more than 2 pages
• Big Computing page 1
  Taking a look at Windows 7... more>>
more than 2 pages
• My Favorite Brushes and Brush Techniques For Watercolours page 1
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• Image Capture for RAW page 1
  Faced with the need to process a RAW file into something more amenable to manipulation, the photographer is confronted with a number of options, all vying for the pound in their po... more>>
more than 2 pages
• These changing times- David Simm page 1
  After almost forty years of high end wedding photography, I am saying things these days that I never would have dreamed of saying just ten years ago. For years I was adamant that t... more>>
• Chromakey 2.0 page 1
  Tom Lee reviews Reflecmedia's latest offering... more>>
more than 2 pages
• i1 Display Pro ColorMunki Display page 1
  The wide spread of digital photography has made colour management an even more important issue. In the past, labs would be the ones taking care of all the colour management from p... more>>
more than 2 pages
• Colour Adjustment - Part 1 page 1
  One of the most potent features of digital imaging is the ability to colour correct before output. This strength comes from two quarters, the ability to measure within the image an... more>>
more than 2 pages
• Colour Adjustment - Part 2 page 1
  Numbers are a key part of digital manipulation. No two people would be able to mix a turquoise in separate rooms and come up with the same colour. However, if they were told... more>>
more than 2 pages
• Colour Adjustment - Part 3 page 1
  Numbers are a key part of digital manipulation. No two people would be able to mix a turquoise in separate rooms and come up with the same colour. However, if they were told... more>>
more than 2 pages
• Colour Adjustment - Part 5 page 1
  In our continuing series on colour correction we look at the problems associated with correction of real images, in which the adjustments have to be tuned to the known characterist... more>>
more than 2 pages
• Colour Adjustment - Part 6 page 1
  Tucked away in the top right corner of the colour picker in Photoshop are some radio buttons marked L, a, and b. These belong to a colour mode known as Lab and are often the last s... more>>
more than 2 pages
• Colour Adjustment - Part 7 page 1
  Few problems cause as much grief in the press industry and those of us who feed into it as proofing. In some part at least, money is the source of all the evils here. A mismatch be... more>>
more than 2 pages
• X-Rite ColorChecker Passport page 1
  Do not attempt color calibration unless you are willing and able to invest the time and effort to do it right. Without the effort, you are more likely to screw it up than fix anyth... more>>
more than 2 pages
• Colour Correction page 1
  One thing has not changed – human perception. This has remained essentially the same for millions of years and remains fascinating to the world at large – Google for color percepti... more>>
more than 2 pages
• Compact Disc The Universal Presentation Media page 1
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more than 2 pages
• Cutting it In Photoshop - Mastering the Wacom Pen page 1
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more than 2 pages
• How Seriously Should We be Thinking About Going Digital? page 1
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more than 2 pages
• DIGITALSoftars page 1
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• Digital: Taking the plunge Part 1 page 1
  Equipment. It really doesn't matter which digital camera you have or intend to buy, images have proven that almost every single piece of equipment out there is currently good enoug... more>>
more than 2 pages
• Digital: Taking the plunge Part 2 page 1
  In the early stages of exploring the exciting new world of digital imaging, it is very easy to be led astray. Way back when I first started experimenting someone mentioned that I s... more>>
more than 2 pages
• Digital: Taking the plunge Part 3 page 1
  To open this last look at going digital, I want to help you explore some of the possibilities that digital opens up in the creation of saleable and profitable products, not just fo... more>>
more than 2 pages
• Digital Workflow page 1
  Malcolm Sales of Buttercross Photography, explains his digital workflow.... more>>
• Digi weddings – what next page 1
  Digital imaging has come steaming in and taken over from the tried and trusted method of film. In a recent straw poll of SWPP members, it was apparent that 76% shot their weddings ... more>>
• Disaster Avoidance page 1
  The feeling of total despair when you realise that you are dealing with a corrupt data device is one not easily forgotten and the cost, inconvenience, aggravation and damage to bus... more>>
more than 2 pages
• Disjointed jottings from Terry Hansen page 1
  Terry looks at going digital.... more>>
more than 2 pages
• The Epson P-5000 page 1
  Multimedia Storage Viewer... more>>
more than 2 pages
• Fade & Line Quality Testing page 1
  A fade testing standard remains a contentious issue with no immediate resolution in sight.... more>>
more than 2 pages
• The gloves are off! page 1
  Quality Matters – A prize fight over Eight Rounds... more>>
• Going Up - Going Down page 1
  Down Mike McNamee explores the world of scaling... more>>
more than 2 pages
• GretagMacbeth Eye 1 XT page 1
  ... more>>
more than 2 pages
• Hand Toning B/W photos page 1
  Winston goes through a selection of his images... more>>
• The Mystery of Lab Colour page 1
  Colour has to be shown in a three-dimensional graph so that the colour and lightness may be depicted. However, to simplify things the Lab plot is frequently shown in just two dimen... more>>
• Merging to HDR page 1
  Gavin gives an insight into mergering to HDR... more>>
more than 2 pages
• No More Dust page 1
  In spite of the amazing advances in technology over the years, one thing remains stubbornly in place – dust... more>>
more than 2 pages
• Oldies but Goldies page 1
  Expoloring the performance of some old Nikkor lenses on a modern DSLR... more>>
more than 2 pages
• Pen Tool for Beginners page 1
  This is a feature inspired by Lucy Bretnall one of the Priestley College, graphics design students (who are featured earlier in the magazine). Lucy is a fan of vector graphics and ... more>>
more than 2 pages
• Projecting Your Image page 1
  Mike McNamee treads into the projector minefield with some backup from members Tom Lee and Ian Stewart... more>>
more than 2 pages
• Taking the pulse of your colours part two page 1
  ... more>>
more than 2 pages
• Quality Matters page 1
  Quality Matters is a magazine-wide feature concentrating on image quality in all its aspects. We start with general concepts and aids to acheiving your quality goals.... more>>
more than 2 pages
• The JPEG – RAW Debate page 1
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more than 2 pages
• Raw Shooters page 1
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more than 2 pages
• Scanning Perfection made easy with Epson page 1
  21st January 2009 – Epson continues to deliver quality to home scanning with the introduction of the new Perfection V30. Reaching an optical resolution of 4800 dpi, this product is... more>>
more than 2 pages
• Seeking Perfection page 1
  The Epson Perfection V750 Pro... more>>
more than 2 pages
• The Sharper Image page 1
  It is quite possible that your camera is capable of producing much sharper pictures than you think... more>>
• Stillwell Slayer of Dragons page 1
  On his way for a break in Spain, digital expert, Ron Stillwell was anxious to purge a few myths and take a tilt at a few windmills.... more>>
more than 2 pages
• Digital SLR v 5x4 page 1
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more than 2 pages
• The Digital SLR Phenomenon page 1
  Words of Wisdom from Giles... more>>
more than 2 pages
• Computing: The State of the Union page 1
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more than 2 pages
• Digital: Taking the plunge Part 3 page 1
  ... more>>
more than 2 pages
• Taking the pulse of your colours page 1
  This is a new, comprehensive colour management tool from one of the major players in the field (some would hold the major player in the field!). X-Rite have been slow to join the l... more>>
more than 2 pages
• The Hand is Mightier than the Mouse page 1
  Using your Wacom Graphic Tablet to make ragged edge watercolour paper effects.... more>>
more than 2 pages
• Thinking of going DIGITAL?? page 1
  Carol Steele LSWPP, LMPA helps unravel the mysteries of digital imaging and computers.... more>>
more than 2 pages
• The Times They are a changin' page 1
  We are constantly bombarded with discussions on the relative merits of film versus digital and vice versa. This debate has been ongoing since the arrival of the Sony Mavica... more>>
more than 2 pages
• Wacom Intuos 4 page 1
  Mike Reviews the Wacom Intuos 4... more>>
more than 2 pages

• John Baikie’s Remote Desktop Fifty Shades of Grey page 1
  For this month's feature I decided to put the brand new Pocket Wizard Plus III ... more>>>
• Artistic Endeavors page 1
  Never has there been such a fascinating period as the present with all the past ... more>>>
• Versatility and Affordability page 1
  Anyone who has worked with film can appreciate how much easier travelling with c... more>>>
• Lighting for Digital Part 21 Breaking the Rules page 1
  Dave Montizambert steps on the photographic toes of traditional lighting and its... more>>>
• Lighting for Digital Part 19 page 1
  Dave Montizambert explaining Lighting... more>>>
• Lighting for Digital Part 18 page 1
  Dave Montizambert explaining Hue/Saturation skin-tone adjustment technique... more>>>
• Lighting for Digital 2 page 1
  Dave Montizambert looks at Metering – a lost art?... more>>>
• Lighting for digital 1 page 1
  Dave Montizambert looks at sensitivity testing... more>>>
• Lightroom Workflow Nuggets page 1
  Kevin Kubota explores Lightroom Workflow sharing some hints and tips.... more>>>
• Eizo ColorEdge CG243W Monitor - The Search for the Perfect Monitor page 1
  McMullin and McNamee visit Colour Confidence at their swanky new offices... more>>>
• Eizo ColorEdge CG243W Monitor page 1
  Our quest to find an LCD monitor that accurately portrays what you see in a prin... more>>>
• Monitor Matters page 1
  Mike takes a look at which monitor suits you... more>>>
• The Monochrome Issue – Introduction page 1
  One of the major criticisms levelled at ink-jet output has been the lack of neut... more>>>
• Cutting it in Photoshop - Restoration for Chiesa Della Liberia Saviano Italy page 1
  Jane Conner-ziser is a photographer, author, retouching expert and fine artist. ... more>>>
• Talking ‘Shop : Blending Modes page 1
  Talking ‘Shop Blending Modes by Sofie Louca & Paul Karaolides Amorphia Photograp... more>>>
• Photography Gone Global page 1
  Once in a while you get a job that is just plain fun to do. This one came from a... more>>>
• Drawing a Veil over the Cut-out Problem page 1
  Cutouts always were and remain difficult; the image information available to mak... more>>>
• Noise Reduction page 1
  In digital imaging, noise has taken the place in the ‘bad list’ that grain used ... more>>>
• Canvas Art Recipe page 1
  Tom Lee shares his recipe for creating canvas art on Photoshop.... more>>>
• 50 Shades of Grey Part II page 1
  Laura Major of Shane Miller Studios reacts to John Baikie's piece in a previou... more>>>
• Portrait Retouching - Photoshop Tools and Options page 1
  Real retouching requires mastery of a variety of Photoshop tools in order to cre... more>>>
• Cutting In photoshop page 1
  These retouching guidelines are by no means written in stone. They are just thin... more>>>
• Michael Crocker - The Post-Production Sequence page 1
  Skin-smoothing technique used on the image opposite Marko’s brief for this set o... more>>>
• Cutting it in Photoshop part 2 page 1
  I work with all kinds of photography, from snapshots to fine art images and I’m ... more>>>
• Depth of Field Blurring page 1
  Whilst digital brings many benefits to image making, control of depth of field i... more>>>
• Mark Laurie - The Soft Focus Solution page 1
  Specializing in female portraiture, the soft focus filter was always a well-used... more>>>
• Whales, Tails and Leprechauns page 1
  Mike and Ian test some new Gadgets... more>>>
• Lightroom 3: Lightroom Adjustment Brush In-Depth page 1
  The release of Lightroom 2, in 2008, generated great excitement in the digital c... more>>>
• Lightroom 3: Noise Control & Lens Tool page 1
  Lightroom 3 represents a great leap forward for photographers in the area of ima... more>>>
• P4B Lightroom 3 Spot Removal and Crop Tools page 1
  In the past few issues I have discussed the localised editing brush and the grad... more>>>
• P4B - Lightroom 3Lightroom Graduated Filter - How to! page 1
  The Localised Adjustment tools, in Lightroom, allow photographers to expand thei... more>>>
• Adobe Lightroom 2 page 1
  The first thing to do is have a look at Develop in general, before getting down ... more>>>
• Portrait Professional Version 8 page 1
  Mike looks at Portrait Professional for the Mac... more>>>
• Suite Treats from onOne Software page 1
  You may already know onOne Software for its leading Photoshop plugins designed t... more>>>
• Cutting it In photoshop page 1
  Jane Conner-ziser explains how she retouches portraits in Photoshop... more>>>
• A marriage made in heaven? page 1
  In keeping with the general theme of this issue, the Wacom Intuos 3 arrived in a... more>>>