24/01/08
Fujifilm UK today unveiled the FinePix S100FS (Film
Simulation) digital camera, its most advanced DSLR-styled camera to
date. The FinePix S100FS provides an all-in-one solution for photo
enthusiasts and advanced amateur photographers seeking the manual
controls and functionality of a DSLR without the bulk, hassle and
expense of additional lenses and other accessories.
The FinePix S100FS is equipped with a 14.3x Fujinon manual zoom lens,
Fujifilm’s 8th generation 2/3in Super CCD sensor with 11Mp, third
generation RP III processor, 2.5in tiltable LCD and ISO capabilities of
up to ISO6400 (at 6Mp) and an incredible ISO10,000 at 3Mp. Photographers
will appreciate the ease of use and shooting versatility offered by
Optical Image Stabilisation and high sensitivity anti-blur systems, and
Fujifilm’s acclaimed Face Detection 2.0 Technology with automatic
red-eye removal, while enjoying a wide dynamic range of 100 - 400%
that’s previously only been available to users of the highest-end D-SLR
cameras, and film simulation modes that only Fujifilm can provide.
One-of-a-kind lens design for a one-of-a-kind camera
The FinePix S100FS represents the cutting edge of Fujifilm’s imaging
technology innovation, and redefines what users can expect from a
compact digital camera. Through a unique collaboration between Fujifilm
and Fujinon R&D engineers, the development team approached the process
of designing this unique camera as a single project, creating the lens
and CCD for express function as a single unit. This design allows the
ultra-high precision Fujinon lens to achieve maximum resolution at all
focal lengths of 28mm-400mm equivalent and maximum aperture of a bright
f/2.8 (wide angle) to f/5.3 (telephoto). Because of the composite body
and lens structure, there is no penetration of dirt and dust onto the
CCD and the lens is perfectly matched to the sensor and perfectly
aligned for the best possible results. The mechanical zoom offers
framing with fingertip precision as well as offering a user experience
that closely matches the use of a high end digital SLR.
A feature set borrowed from the FinePix S5 Pro
In the FinePix S100FS Fujifilm’s engineers have incorporated some of the
features from the award-winning FinePix S5 Pro D-SLR that have been most
appreciated by professional photographers, including film simulation
modes and settings that expand the camera’s dynamic range. The FinePix
S100FS has an extended dynamic range (100%, 200%, 400%) similar to that
of negative film thanks to the newly developed low-noise 2/3in 11.1 Mp
Super CCD VIII HR and the new RP Processor III. This unique technology
preserves subtle highlights and shadow tones and prevents harsh clipping
whatever the subject. Fujifilm’s unique Film Simulation modes (FS) allow
photographers to select the ideal film mode for the scene with a choice
of four modes that optimise for portraiture, low-contrast (soft),
vibrant colours (Velvia), or general use (Provia). Only Fujifilm has
developed its camera technology from its photographic heritage in film,
which allows the FinePix S100FS to capture subtle changes in tone and
colour reproduction and provide the photographer the widest latitude for
the ultimate creative expression.
Face Detection 2.0 with automatic red-eye removal
Fujifilm’s proprietary Face Detection 2.0, featuring automatic red-eye
removal was first seen on the award-winning FinePix F50fd. This
one-touch selectable mode enables cameras such as the FinePix S100FS to
detect up to 10 human faces in a scene, correcting focus, exposure and
white balance automatically as fast as 0.05 seconds to ensure that
photos of human faces are clear and properly exposed, no matter where
subjects are located within the frame. Fujifilm’s Face Detection 2.0 has
an advantage over the other face detection systems currently on the
market because it can identify faces at extreme angles – even in full
profile. The system allows for up to a 90 O movement in either direction
for profiles and up to 135 O for leaning or lying down in either
direction, for a total range of 270 O.
The automatic intelligent red-eye removal feature works in conjunction
with Fujifilm’s Face Detection 2.0, automatically correcting red eye
directly after the shot is taken and then saving both the original image
and the corrected file. The user can then perform a side-by-side picture
comparison in playback mode and select the best image.
Fujifilm FinePix S100FS at a glance:
Optical Image Stabilisation
The FinePix S100FS features Fujifilm’s Optical Image Stabilisation
technology to ensure clean, sharp and blur-free images, even in
low-light conditions. This combines image stabilisation through a
mechanically stabilised floating lens element to reduce blur from the
photographer’s hand-shake, with Fujifilm’s Picture Stabilisation
Technology, to reduce blur caused by subject movement, for the ultimate
in stabilisation technology.
Multi-Bracketing function
The FinePix S100FS has three bracketing functions useful for high level
photography: Film Simulation Bracketing, Dynamic Range Bracketing and AE
Bracketing.
Comprehensive photographic controls
Including Aperture Priority and Shutter Priority exposure modes.
High-speed shooting
Reliable high-speed performance is possible through Fujifilm’s newly
developed Super CCD VIII HR and the new RP (real photo) III Processor.
At 3Mp, a maximum of 50 continuous shots at 7f/p/s is possible. In
addition, 14 scene settings and customer settings can be selected, as
can four auto-focus modes offer convenient high-speed, high-precision
shooting and focusing for a diverse range of conditions.
Image formats
Capture images in both JPEG and RAW format.
Movie Mode
Movie mode with sound at 30 frames per second in VGA quality, and zoom
capable with manual zoom ring while in movie mode.
xD/SD/SD-HC compatible slot
The FinePix S100FS features an xD/SD compatible slot which accepts not
only Fujifilm’s traditional xD-Picture Cards but also Secure Digital (SD)
and SD-High Capacity/SD-HC cards too.
2.5in tiltable LCD
The FinePix S100FS features a tilting 2.5in LCD that makes it easy to
frame shots from a variety of shooting positions.
Real Photo Technology
The secret to the FinePix S100FS’s class-leading image quality is
Fujifilm's unique Real Photo Technology (RPT). The guiding principles
behind RPT are simple; to set the highest possible standards for overall
image quality, to expand digital photography opportunities and to give
users fewer wasted shots.
RPT is an umbrella term for the combination of cutting edge technologies
such as the Super CCD sensor, Real Photo Processor and Fujinon lens, all
optimised to work together to produce the most natural, beautiful
results in any conditions. As one of the largest imaging companies
worldwide, Fujifilm is in a position to develop and to manufacture these
components themselves, and it is this control over the design of the
entire system that makes RPT so powerful.
Real Photo Technology cameras are designed from the ground up to capture
'real' photographs with stunning quality - giving users the power to
capture the moment exactly as the eye sees it, no matter how challenging
the shooting conditions.
With the human eye as the ideal, RPT continues to evolve and to set even
higher standards for digital photography.
Adrian Clarke, Fujifilm's Director of Digital Products, said: "The
FinePix S100FS is an important and exciting new flagship bridge for
Fujifilm, designed from first principles for superb performance and
offering cutting-edge technology and genuine innovation. For the
consumer wanting the quality and versatility of an SLR without the
weight, cost or bulk of extra lenses, we think the FinePix S100FS
represents the most accomplished ‘prosumer’ model on the market.”
The FinePix S100FS will be available from UK retailers in March 2008.
Pricing and will be announced nearer to the date of the launch.
For more information please visit the Fuiji website.
http://www.fuji.co.uk/
The SWPP 2008 Convention was an outstanding success,
we have 191 days to get ready for the 2009 convention - which starts on January 14, 2009
Photo Quote: All I want is the best of everything and there's very little of that left - Cecil Beaton