SUPERNOVA

Paul Gallagher LANDSCAPE PHOTOGRAPHER

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The Results

The initial results from the processor were fantastic and a marked improvement (see opening spread image). I simply followed the agitation frequency I had employed with other roll-film tanks in the past but lifted and re-immersed in these tanks or “Dipped & Dunked”. I must admit I found it a little tricky at first, lifting and locating the negative holder into the next tank as each tank is so close to the next, but after I became more familiar with the unit it became second nature despite working in complete darkness. The only problem I encountered was some slight increase in emulsion density below the upper film-retaining clip, which was created as the developer “rushed” past the clip as I over enthusiastically lifted the negative carrier out of the tank in the early stages of development. It must be said that this was further accentuated by the type of developer I use which requires an agitation every three seconds which is extraordinary compared to most products which allow stand times of 30 to 34 seconds per minute.

Conclusions

Overall this is a very well-designed piece of largeformat film processing kit. It is wonderfully compact, maintains temperature accurately, is simple to use and with floating lids and tank “top” lids the unit can be regarded as on-standby and, after a short warm-up time, ready to go. The other advantage I have not mentioned as yet is the efficiency of the unit. Using just over a litre of chemical per tank this is far less than tray processing or some deep tank options I considered which require industrial quantities.

On the edge of the processing unit is a Nova label bearing the words “We care how you develop”. Although this is quirky and raises a smile I think it is true and is reflected in the design of this little gem.

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Photo Quote: I don't like to work with assistants. I'm already one too many the camera alone would be enough. - Alfred Eisenstaedt