by Mark Ashworth Published 01/06/2009
My career started when I was accepted by a respected and well-established high street studio, based in Cambridge, UK. Frances Dumbleton had built her business from a small office at home to having three studios covering many portraits and over 600 weddings a year.
I began at the very bottom with a two-week work-experience programme when I was only 16 years old. After college I worked there full time, mainly carrying out office duties, and finally, at 19, started to take baby portraits in the studio. The rest, as they say, is history. I now run a successful business from home with my wife Kirsty, covering around 30 weddings and about 50-60 portraits per year. I am also happy to extend my skills to occasional commercial work when requested.
There are some very fundamental areas that are essential to our success, and I will look at these in turn.
When you watch a drama-style movie, watch how real it feels, how realistic the characters are and how beautiful the lighting and composition are.
Just remember one thing - everything is acted, directed and captured by very talented individuals. So when photographers are at work, our clients are the actors, we are the directors and photographers. I have to admit, I do struggle with the term reportage and photojournalism, and I know that this subject is controversial and may cause a stir! Don't get me wrong,
The Societies of Photographers Convention and Trade Show at The Novotel London West, Hammersmith ...
You have 228 days until The Societies of Photographers Convention starting on Wednesday 16th March 2022