Qualification Structure - Fellowship

Fellowship of the ‘Societies’ is the highest distinction and recognises you as a master of your craft, able to create work of the highest standard both technically and artistically. It is essential that applicants take serious advice from a recognised Mentor at the level of Fellow to ensure that the application is at the highest level of content and presentation. If in doubt please contact head office for advice.

Categories of Fellowship
FSWPP - Fellow of the Society of Wedding and Portrait Photographers
FSISLP - Fellow of The Society of International Sport & Leisure Photographers
FSINWP - Fellow of The Society of International Nature and Wildlife Photographers
FSITTP - Fellow of The Society of International Travel & Tourism Photographers
FSIMPP - Fellow of The Society of International Media & Press Photographers
FBPPA - Fellow of the British Professional Photographers Associates
FSICIP - Fellow of The Society of International Commercial and Industrial Photographers
FSISEP - Fellow The Society of International School and Event Photographers
FSIFGP - Fellow The Society of International Fashion and Glamour Photographers

Print Submission for Fellowship. Our highest Accolade

A submission of twenty prints is required, at 20x16” flush mounted on board no thicker than 8mm.
Submissions should consist of in the case of an SWPP application (FSWPP), the very best of either wedding or portrait images from as many commissions as you wish as this must be an ultimate expression of your skills and abilities as a consummate professional. (Mixed wedding/portrait panels are not acceptable). In the case of a all other application you must concentrate on one area of expertise and excellence only.

What it costs
SUBMISSION FEE £150
RE-SUBMITTED PANELS £75
(Provided they are submitted within 12 months)

Successful Fellowship Submissions

Fellow in Digital Art

Back to Qualifications overview

Photo Quote: I know some photographs that are extraodrinary in their power and conviction, but it is difficult in photography to overcome the superficial power or subject; the concept and statement must be quite convincing in themselves to win over a dramatic and compelling subject situation. - Ansel Adams