The Society of Wedding and Portrait Photographers
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25th February 2021 GMT

Qualification Structure - Fellowship

Fellowship - The Highest Accolade

Fellowship of the ‘Societies’is the highest distinction and recognises you as a master of your craft, able to create work of the highest standard both technically and artistically. It is essential that applicants take serious advice from a recognised Mentor at the level of Fellow to ensure that the application is at the highest level of content and presentation. If in doubt please contact head office for advice.

Categories of Fellowship
FSWPP - Fellow of the Society of Wedding and Portrait Photographers
FSISLP - Fellow of The Society of International Sport and Leisure Photographers
FSINWP - Fellow of The Society of International Nature and Wildlife Photographers
FSITTP - Fellow of The Society of International Travel and Tourism Photographers
FSIMPP - Fellow of The Society of International Media and Press Photographers
FBPPA - Fellow of the British Professional Photographers Associates
FSICIP - Fellow of The Society of International Commercial and Industrial Photographers
FSISEP - Fellow The Society of International School and Event Photographers
FSIFGP - Fellow The Society of International Fashion and Glamour Photographers

Print Submission for Fellowship

A submission of 20 prints is required, at 20x16” mounted on to board no thicker than 8mm.

Submissions should consist of, in the case of an SWPP application (FSWPP), the very best of either wedding or portrait images from as many commissions as you wish as this must be an ultimate expression of your skills and abilities as a consummate professional. (Mixed wedding/portrait panels are not acceptable). In the case of all other application you must concentrate on one area of expertise and excellence only.

What it costs
SUBMISSION FEE £175
RE-SUBMITTED PANELS £87.50
(Provided they are submitted within 12 months)
 

Successful Fellowship Submissions

Fellow in Wedding and Portrait



Back to Qualifications overview

Photo Quote: The contemporary artist...is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see? - Jerry Uelsmann

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